Conversation with Andy Wong on BIPOC Credit Podcast about early beginnings, creative process, collaboration with David Fincher, and adopting his filmmaking methodology for his Netflix series, VOIR.
Haley
"...there was one film in the program worth pulling out and recommending should you ever find a way to see it, Corey Sevier’s “Haley.” With echoes of “The Leftovers,” Sevier tracks a man dealing with the grief over losing his daughter through an alien invasion. It’s a beautifully shot piece, one that feels almost like an elegy for our dying planet as much as anything else. There’s still beauty here. "
- Brian Tellerico | RogerEbert.com
" the cinematography gives us a strong sense of atmosphere — foreboding shadows, flickering firelight, the sublimity of a mountain height. There’s a grimness in the way it’s shot that reflects the post-invasion world, and the sensibility of the main character...This is a well-crafted story that finds an unexpected transcendence in nature and the science-fictional."
- Matthew David Surridge | Blackgate.com
"A beautiful, poignant film. Well performed & sharply directed."
- Mitch Davis | Co-Founder Fantasia
Thunderbird
“There is a very strong sense of place throughout the film; not like a familiar place, but more like somewhere we are being graciously allowed to visit. Alfonso Chin’s cinematography treats the landscapes, locations, and indigenous customs alike with a gentle touch.”